Khichdi needs a lot more masala, observes Deepa Gahlot.
With no other stand-out performance (besides Tara Sutaria's) or impressive scene, Apurva falls by the wayside, where other quickly made films end up, points out Deepa Gahlot.
If these six stories in Rainbow Rishta are any indication, then urban Indian society is moving towards a welcome liberalism, even though reality cannot be so simple, notes Deepa Gahlot.
Kangana Ranaut plays an Air Force pilot in Tejas, joining an increasing list of films and shows centered around women playing significant roles in their careers.
Yaariyan 2 evokes a tinge of nostalgia for the time when music (and lip sync songs) used to be the mainstay of a commercial film, notes Deepa Gahlot.
The earnestness of the actors keep Kaala Paani from drowning, observes Deepa Gahlot.
Jawan is disproportionately extolled for making political comments, but it is a small film like Bhagwan Bharose that usually sticks its neck out, notes Deepa Gahlot.
There are plenty of shootouts and a fair amount of sex over the nine brisk episodes though the dialogue is thankfully free of profanity, observes Deepa Gahlot.
Quite a few Hindi films have taken up issues related with sex, and managed to shine the torch on some pertinent issues.
Deepa Gahlot lists 10 gangster thrillers on OTT for those who have the stomach for gaalis and gore.
Kanika's problem is so ridiculous, it is surprising she did not discover till the age of 32 what every teen knows, sighs Deepa Gahlot.
There are no great emotional highs or lows in Dono. It is just made up of little moments of normal interactions between young people, observes Deepa Gahlot.
Choona is too slow, has redundant characters and needless complications, observes Deepa Gahlot.
Charlie Chopra and the Mystery of Solang Valley is fun in parts, discovers Deepa Gahlot.
Prayag Raj, who was so successful at his peak, ought not to have slid into oblivion, observes Deepa Gahlot.
Gems you can enjoy from the time he was at his handsome and magnetic best.
...She does not have the acting heft, of say Sridevi in English Vinglish, or Vidya Balan in Tumhari Sulu, observes Deepa Gahlot.
The harum-scarum-ness of Kaala is astounding, exclaims Deepa Gahlot.
Bambai Meri Jaan features horrific massacres and violence so brutal that it ought not to be seen on a home entertainment platform, warns Deepa Gahlot..
Film-makers seem to think a modern woman has to adopt the worst traits of men, observes Deepa Gahlot.
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